![]() Instead of developing their own 4K hardware, Avid opted to partner with Blackmagic Design. Several new products were announced, including the Avid Artist | DNxIO. Although this was the first show appearance of Media Composer 8.3.1 – Avid’s first move into true 4K editing – they did very little to promote it. This, in turn, can be synced with your copy of Premiere Pro CC and then applied as a color correction look to any video clip.Īvid ran the second annual Avid Connect event for members of their customer association in the weekend leading up to the NAB exhibition. It creates a “look” file and stores it to your Creative Cloud library. This is a mobile app which analyses the tonal color scheme of photos stored on your mobile device. ![]() Not only can you add the real-time animation, but certain animation functions are automatically applied, like a character’s breathing motion. When you move and talk, so does the character in real-time – all controlled by the tracking. Import a cartoon character as a layered Photoshop file as the starting point. Using real-time facial tracking, such as from a laptop’s webcam, the animator could do live animation key framing of an on-screen cartoon character. Character Animator was demonstrated as a live animation tool. The face tracker locks onto specific points (pupils, mouth, nose), which enables accurate tracking when elements need to be composited onto an actor’s face.Īdobe is also good for out-of-the-box thinking on new technologies. View design iterations, adjust composition properties, and even resize interface panels without halting composition playback. After Effects adds an outstanding face tracker and improved previews. It uses advanced tracking and frame interpolation functions to build new “in-between” frames. The effect is designed to smoothly transition across jump cuts in a seamless manner. Morph Cut is a new effect that everyone cutting interviews will love. Since Premiere already includes built-in masking and tracking, this means the editor is capable of doing very sophisticated color correction right inside of Premiere. This tabbed control integrates tools that are familiar from SpeedGrade, but also from Lightroom. Premiere Pro CC now integrates more of SpeedGrade CC’s color correction capabilities through the addition of the Lumetri Color panel. At NAB Adobe was showing technology previews of the application features that will be released as part of a Creative Cloud subscription in the coming months. Although Apple still encourages users to go to iTunes though an approved third-party portal, this new preset makes it easier to create the proper file package necessary for delivery.Īdobe has the momentum as the next up-and-coming professional editing tool. Compressor has now added a preset designed for iTunes submission. These include built-in masking and changing the color correction tool into a standard effect filter. Two other big features fall more in line with user wish lists. The best part is that the performance is excellent. Apple’s implementation is one of the easiest to use and best-looking in any application. FCP X 10.2 includes a number of enhancements, but the most buzz went to the addition of a new 3D text engine for FCP X and Motion. This coincided with Apple’s release of the updated versions of Final Cut Pro X, Motion and Compressor. Consulting company FCPworks presented a series of workflow and case study sessions at the Renaissance Hotel next door to the South Hall. Apple wasn’t officially at the show, but held private press meetings at an area hotel. The following is the segment covering the four – soon to become five – most popular NLE vendors.Įditing options largely focused on the four “A” companies – Apple, Adobe, Avid and Autodesk. As in years past, I’ve covered it for DV magazine, where you’ll find the expanded version. NAB is the biggest toy store in our industry.
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